ZENON DANCE SCHOOL.
UPCOMING SCHOOL EVENTS.
March 26 | Spring Open House
March 28 | Spring Classes Begin
“Your love for and belief in the power of dance was so evident.”
-Performance Art Examiner
MEET THE FACULTY.
Allison Rubin Forester
Allison Rubin Forester is a dancer, choreographer, and teacher of dance and mathematics. Ali first studied ballet, jazz and modern in Chicago and Evanston, Illinois, at the studios of Gus Giordano and Lou Conte (Hubbard Street Dance). She received a Bachelor of Science degree in mathematics from the University of Illinois-Urbana in 1987, while studying and performing as a full-time student in the dance department. Ali also taught and choreographed at the University of Oregon while simultaneously working toward her Master’s in dance and secondary education. Ali is now teaching junior high math and dance at Clara Barton Open School for the Minneapolis Public Schools. Locally, she has studied and performed with Chuck Davis’ Babu’s Magic; The Umoja Ensemble; 10,000 Dances; and several independent choreographers. Ali teaches a strong technique-based class that blends modern influences with strong classical jazz elements— and lots of energy and sweat!
Anne Lentz grew up in Minneapolis and trained at Ballet Arts Minnesota with Bonnie Mathis. She is a graduate of Sarah Lawrence College where she studied dance with Viola Farber. Professionally, she studied directly with Merce Cunningham at his studio in NYC as well as with other master teachers including Jackie Villamil, Christine Wright, and Jocelyn Lorenz among others. Anne has over 15 years of professional performing and teaching experience in NYC, Europe and Asia. She was a company member and rehearsal director with Pam Tanowitz Dance in New York City for 14 years. Anne was awarded a Bessie Award in 2009 as a performer in Be in the Gray With Me. Anne currently teaches Ballet at Zenon. Her classes focus on exploring the interplay between rigor and ease through the ballet idiom. She is most interested in cultivating a sense of clear authentic movement in her students.
Ariel Linnerson has been teaching Yoga, Pilates, TRX, Barre, Zumba, dance and dance-based fitness classes since graduating with a BFA in Contemporary Dance from North Carolina School of the Arts in 2003. She believes that consistency, sustainability, and variety are the keys to a lifetime of health and fitness. To encourage those crucial elements, her goal is to make each class fun, engaging, and challenging for every single student, whether that class is your first… or five-thousandth! In addition to teaching, Ariel co-owns and operates MinneappleDV, a full-service video production company specializing in dance documentation, with her husband, Will.
Arturo Miles is originally from Mexico City and began dancing in Minneapolis in the late 90s. Arturo specializes in hip-hop, house, waacking and modern dance styles. Formerly a curator at Patrick’s Cabaret, his work ranges from variety style shows, experimental theater, and short film. Arturo is a founding member of Collective Hip-Hop Dance Company and has lent his talents throughout the years with Deborah Jinza Thayer, Three Dances Company, Penny Freeh, B-Boy J-Sun and The Lovemelts. His work has been showcased at Bryant lake Bowl, The Southern Theater, The Varsity Theater, and The Cowles Center.
Benjamin Johnson was a professional ballet dancer for twenty years, portraying characters and making abstract works come alive on a regular basis. He performed regular seasons with James Sewell Ballet, Dayton Ballet, BalletMet Columbus, Ohio Ballet, and Milwaukee Ballet. His guest appearances stretched from Tampa’s Bay Ballet Theater, Fort Wayne Ballet, Lakeville City Ballet, Minnetonka Dance Theater, and Wisconsin’s East Shore Ballet Company to the Miss Kentucky Pageant, and performances with the Columbus, Dayton, and Cincinnati Operas. Benjamin performed dance works by James Sewell, George Balanchine, David Parsons, Anthony Tudor, James Kudelka and others, and brings what he learned on the stage into the classroom to be passed along to his students. He has taught regular and master classes in ballet, modern, and juggling around the country, as well as regularly in the Twin Cities at various schools. He taught for two years at the Saint Paul Conservatory for Performing Artists in Saint Paul. A choreographer as well, Benjamin has had works performed at the Minnesota Fringe Festival; The Southern Theater; The O’Shaughnessy at the College of St. Catherine; Collective Soles Dance Festival in Tampa, Florida; the James Sewell Ballet Choreographic Workshop sponsored by the Jerome Foundation; and by ballet schools in both Minnesota and Wisconsin. He is a licensed and certified Massage Therapist, and has a private practice focusing on injury rehabilitation and the particular problems of performing artists.
Native to St. Paul, Minnesota, Berit Ahlgren gained her foundational dance training from Minnesota Dance Theater and St. Olaf College (’05), where she also studied biomedical studies. Ahlgren was a founding member of TU Dance under the artistic directorship of Toni Pierce-Sands and Uri Sands, and performed with the company between the years of 2006—2016. Receiving Metropolitan Regional Arts Council’s Next Step Grant in 2011, Ahlgren had the opportunity to study the Gaga Movement Language in Tel Aviv, and moved to Israel to pursue a teacher certification between 2011-2012. Upon return to the United States, she began offering Gaga/dancer and Gaga/people classes regularly in both St. Paul and Minneapolis, as well as guest teaching nationally and abroad. Ahlgren moved to New York City in 2014 and obtained her MFA in dance from NYU/Tisch School of the Arts in 2016, continuing her work in Gaga at both Gibney and Mark Morris Dance Centers. Returning to Minnesota in late 2016, Ahlgren has been teaching independently and collegiately, choreographing for stage and camera, and performing between Minneapolis and New York City as a freelance artist.
Chloe Nagle is a dance artist, Alexander Technique teacher, writer, and yoga instructor recently relocated to Minneapolis, MN. She received an MFA in Dance from the University of Illinois Urbana-Champaign in 2018 and a BFA with honors in Dance from the University of Wisconsin Milwaukee in 2015. Nagle became a certified teacher of the Alexander Technique under the direction of Rose Bronec in August 2021 and completed 200 hours of yoga teacher training at Amara Yoga and Arts of Urbana in 2019. While a graduate student, she taught college-level courses including Dance 100: Introduction to Dance, Making Dances, and Contact Improvisation. In the Urbana community, she taught Contemporary Dance at Urbana Fine Arts Center to students aged 10 and up, Contemporary Dance to participants of the Move MS program under the direction of Brynn Adamson, as well as yoga workshops for the Anthropology and Latina/Latino Studies Departments at the University of Urbana-Champaign. Nagle’s choreography has been showcased at the Krannert Center for the Performing Arts, Danceworks Milwaukee, and Milwaukee Summer Series. She’s performed with Milwaukee-based Wildspace Dance Company as a performance intern as well as in works by Charli Brissey, Elise Frost, Sara Hook, Chungliang Al Huang, and Ping Chong at the Krannert Center for the Performing Arts. Her performance reviews and artist interviews have been published in Urbana-Champaign’s local online magazine, SmilePolitely. In 2019, she was a performance curation intern with the Latina/Latino Studies Department assisting Krannert Art Museum and La Estación Gallery in the creation of a retrospective of work by performance artist, Erica Gressman.
Dorian Brooke, a Minneapolis native, has been dancing since she was three years old. She began competing at the age of four, particularly enjoying tap. In 2008 and 2010, Dorian achieved the title of “1st Overall Champion” in her division for her tap solos. After high school, she went on to receive her BFA in musical theatre and acting, with a minor in dance, from the University of Mississippi. Since graduating, Dorian has been teaching, choreographing and performing professionally throughout the Twin Cities, working with companies such as Theater Latté Da, Old Log and Artistry.
Dustin Haug began his dance training in the mosh pits of rock concerts at First Avenue. The visceral physicality and reckless abandonment of those experiences within the throb of pounding, energetic music continue to influence his movement choices. He is indebted to the dance department at St. Olaf College for encouraging him on his journey and to KT Niehoff (Seattle) for imbuing a fierce artistry in his heart. His lively classes encourage individual expression, dancing with the group, improvisation, moving into and out of the floor, horizontal space, and lots of zany, good-times laughter. Beyond dance, Dustin aspires to be a semiprofessional brewer, a makeshift cook, a random handyman, a loving husband, and a caring father. He is thankful for the support of his family, without whom he could not continue to do what he does, and humbled by the passionate students he’s had the pleasure of working with at Zenon over the years.
Erin Thompson began her dance performance career in 1970 with the Minnesota Dance Theatre and continued in New York City in the companies of Nina Weiner and Bebe Miller. She received a New York Dance and Performance award, “BESSIE,” in 1986 for her dancing in Nina Weiner’s Enclosed Time at the Brooklyn Academy of Music’s Next Wave Festival. Erin moved back to Minneapolis in 1990, dance with Zenon Dance Company for two years, and founded 45 Chartreuse Dance Company with her husband, Byron Richard, in 1992. They received choreographer’s fellowships from the McKnight Foundation (1993) and from the National Endowment for the Arts (1994, 1996). Since 1992, Erin has been on the faculty of the University of Minnesota’s Department of Theater Arts and Dance as well as at Zenon Dance School where she continues to provide advanced professional contemporary/modern dance training for the Twin Cities dance community. In the past five years, she has appeared in the work of choreographers Joanie Smith, Judith Howard, Penny Freeh, Sharon Picasso, and Deborah Jinza Thayer. Erin received a SAGE Award for Outstanding Dance Educator in 2008 and the City Pages Best Dancer Award in 2016. She is an ATI certified Alexander Technique teacher, and the recipient of a 2019 McKnight Dancer Fellowship.
Erinn Liebhard (MFA University of Colorado, BFA University of Minnesota) is a dance artist making opportunities for people to experience the reflective and connective power of groove through performance and education. Having grown up dancing socially at her dad’s rock band’s gigs, she discovered young the exhilaration of playfully experiencing groove alongside others. Guided by this inspiration and a fondness for jazz and American social dance ideas, she’s worked with creatives as varied as hip-hop dance theater artists Rennie Harris and the Wild Goose Chase Cloggers Appalachian clogging company. In performance, she makes and performs new staged works and presents those of others through my company Rhythmically Speaking, is a member of Afro-Brazilian contemporary company Contempo Physical Dance, and performs as self-created character “Nerdette” for St. Paul Saints Baseball’s Entertainment Team. She also creates new works for professional dance companies. Her creative works emphasize groove, interaction, and improvisation, and are inspired by both social and concert dance movement while often driven by jazz music. In education, in addition to her work at Zenon, she is an active jazz dance residency artist in higher education, works as a Teaching Artist for the Cowles Center for Dance and the Performing Arts and serves as a member of their Advisory Council, and is faculty at St. Paul Conservatory for Performing Artists and Winona State University. She is also an active writer and conference presenter. She’s driven to help connect people to themselves, one another, and the moment through rooted and innovative embodiment of groove.
Gabby ‘the Baddie’ Abram
HIJACK is the Minneapolis-based choreographic collaboration of Kristin Van Loon and Arwen Wilder. HIJACK is the confluencce and clash of two independment compositional/kinesthetic impulses. Their dances embrace juxtaposition. Their dances house unlikely intimates and question “who is the enemy?”
Van Loon and Wilder each grew up in Chicago, met at Colorado College, and established their collaboration in Minneapolis in 1993. HIJACK’s roots in a liberal arts setting isolated in the mountains laid the foundation for expirimemntation, invention without precedent, and making dancce our of everything but dance. Their teaching is fuled by their choreographic research as well as ongoing study and collaboration with improvisation/contact improvisation inventor and inovators including Lisa Nelson, Steve Paxton, Jennifer Monson, Karen Nelson, and others. HIJACK teaches Contract Improvisation and Composition at the University of MN and hosts/curates FUTURE INTERSTATES – the sporadic series for dance improvisation. They have created and performed over 100 dances over the last 27 years in the United States and Internationally. HIJACK has enjoyed long relationships with Bryant Lake Bowl Theater, Zenon Dance School, Red Eye Collaborations, and the Walker Art Center. In 2013, Walker Art Center commissioned “redundant, ready, reading, radish, Red Eye” to celebrate twenty years of HIJACK and Contact Quarterly published the chapbook “Passing for Dance: A HIJACK Reader”.
Javan Mngrezzo (he/him) recently relocated to Minnesota by way of Portland, OR. He graduated from Western Oregon University in three years, magna cum laude, with a Bachelor of Science in Dance and Sociology. Javan currently dances with Black Label Movement and Analog Dance Works, and has been a company dancer with Threads Dance Project, BodyVox, and Rainbow Dance Theatre. He has also had the privilege of performing as a guest artist for numerous companies such as Heidi Duckler Dance, Cynthia Gutierrez’s Company Movimiento, and Dar Vejon Jones Dance Ensemble [DJDE]. Javan has taught at dozens of Oregon studios, including at Bodyvox, Northwest Dance Project, and Shaun Keylock Studios, and is a certified instructor of The Ellové Technique®. Teaching is one of his greatest passions and he hopes to both provide growth through challenge yet also create spaces where anyone can access and share in the love of dance!
Jennifer Glaws is a Minneapolis-based interdisciplinary artist who is steering innovative, interactive performance experiences that push notions of space, time, and human connection. She is interested in the social and developmental rewards of the arts evident in her work as a dance artists, educator, director, and photographer. Jennifer’s research delves into the relationship of dance with cognitive science, and the view that the practice of choreography enhances critical thinking skills in dancers and non-dancers alike. Jennifer holds a MFA in dance from the University of Wisconsin-Milwaukee, a BFA in dance and photography from Arizona State University, and a post-baccalaureate certificate in photography from Minneapolis Colleges of Art and Design. She teaches dance in settings as varied as private studios, public education programs, and colleges. She has served on faculty at Gustavus Adolphus College, Rochester Community and Technical College (Rochester, MN), and is the current school and communications director for Young Dance (Minneapolis, MN). Jennifer has resided in Minneapolis since 2004, producing in museum, theater environments, and public spaces with commissioned dance pieces created for Gustavus Adolphus College, ACDA-Midwest, Alternative Motion Project, metro-area middle and high schools, and UW-Milwaukee, among other private institutions. Jennifer’s work has been show in Arizona, Minnesota, Illinois, Wisconsin, Colorado, and New York.
Joanna Lees (she/her/hers) is a dance artist and administrator who believes in the transformative power of dance to build community. She has used these beliefs as a foundation for building a contemporary dance company, Alternative Motion Project (AMP), with Co-Artistic Director, Kristin Howe. Since 2012, Lees has co-produced 13 full-length shows, choreographed numerous new works, created 4 Screendance films, and worked with 50 different Minnesota based artists. With AMP, she has organized and taught educational residencies and classes, developed audience engagement initiatives, cultivated community building events, received multiple grant awards and
regularly commissions new work from Minnesota choreographers. Lees’ work and teaching is rooted in curiosity and collaborative practices that often explore a range of physicality, endurance, presence, momentum, and spatial relationships. Her research interests currently intersect identity, popular culture, feminism and movement. This includes cultivating empowerment in the choreographic process through physicalizing the female superhero (i.e., applying narratives, ideas, and physicality to choreographic concepts). She relishes in opportunities to work in concert with other artists and organizations to come together for a purpose greater than ourselves.
José A Luis
José A. Luis was born in Veracruz, Mexico. Raised in Racine, Wisconsin. Having lived in Milwaukee, Chicago, and now Minneapolis, moving has been part of José’s identity. Considered a “late-dancer”, formal training began at UW-Milwaukee, where he graduated with a BFA in Dance. Having worked with most of the faculty, guest artists, and graduate students, he continued to perform locally before moving to dance with REDance in Chicago. Interest in dance collaborations led to undergraduate and post-undergraduate pieces being presented in festivals throughout the Midwest. As a solo choreographer and often his own dancer, he is attuned to his body and artistic vision change through time – influencing his works. An evening length show lies on the horizon for José. For now he continues to stay open and available for all opportunities.
Karla Grotting is a dancer, choreographer, and educator. She is a founding member, principal dancer, and artistic associate with The Flying Foot Forum, since 1990. She has performed with companies, Jazzdance: by Danny Buraczeski, Keane Sense of Rhythm, Off-Leash Area, Combustible Company and MN Jazz Dance Co. Karla has been on faculty with the University of Minnesota Department of Theater and Dance from 1998-2020 and has been a visiting guest artist and instructor at St Olaf College from 2014-21. Her awards include the U of M Student’s Choice Award for Outstanding Teacher in the College of Liberal Arts, a 2007 McKnight Artist Fellowship for Dancers, and a 2010 Sage Nomination for Outstanding Educator. Her project, Lost Voices in Jazz: The Choreographers of the Minnesota Jazz Dance Company was recognized with the Sage Award for Outstanding Performance and Karla was named a City Pages’ Artist of the Year in 2015. Karla creates her own dance works which blend the unique styles of her tap, jazz, modern and percussive dance experiences and has set original works on the Flying Foot Forum, The Eclectic Edge Ensemble, Rhythmically Speaking, MN State University-Mankato, Carleton College, Macalester College, St Olaf College, Gustavus Adolphus College, St Paul Conservatory for the Performing Arts, UW-Whitewater, Southwest High School Dance Program, Keane Sense of Rhythm Social Club, LiRa Dance Theatre and others. Most recently, Karla has been performing in several short films by the Flying Foot Forum. Our film, COOKAPHONY was selected for a variety of film festivals including Sedona Film Festival, the Door County Film Festival, the Spring Grove International Film Festival, and the Paris Short Film Festival.
Kendall Kramer is a dancer, choreographer and educator interested in experimenting with the differentation between props-venues-audience and performer. Born in Minneapolis, she trained at Minnetonka Dance Theater and School, and performed in the Minneapolis Fringe Festival and the Sutdio 4A project. Kendall graduated manga cum laude from Southern Methodist University (TX) in 2010 with a dual degree in Dance Performance and Spanish Language. In Texas, Kendall worked with organizations and individual artists including Leslie Scates of Lower Left, Psophonia Dance Company, Youg Audiences of Houston, Jacquelyn Doe, and Danny Buraczeski. Kendall has set choreography on Psophonia Dance Company, at the Nasher Sculpture Garden, for 3D film, and the Houston Comedy Dance Festical, among other. Since returning to Minneapolis, Kendall has performed at the Future Interstates Dance Improvisation Festival, and delved deeper into dance film. Kendall has recieved reviews for noteworth performaances in the Houston Press, and her work GLOW recieved the honor of Best Neew Dance Work of the Houston Fring Festical in 2016. Kendall is passionate about working with young dancers and teaches youth ballet and modern at Zenon Dance School.
Lisa Erickson is a dancer, teacher and choreographer of over 30 years. She trained first in MI where she danced with the Christopher Ballet, then IL where she attended both National Academy of Arts (HS) and the University of Illinois on scholarship before moving to MN to train and dance with the MN Dance Theatre. She performed in a variety of works including Loyce Houlton’s Nutcracker Fantasy, Knoxville, Summer of 1915 and Balanchine’s Concerto Barocco, as well as contemporary classics, including Glen Tetley’s Mythical Hunters and Loyce Houlton’s Carmina Burana. Lisa has taught and choreographed on children and adults and is known in the studio for instilling confidence and crafting classes that naturally guide students in fine-tuning their technique, moving effectively and efficiently, and “having fun” doing so-one of the rules of her classroom! Her ‘eagle eye’, as students describe it, enables her students to excel and attain impeccable placement.
Margaret Ogas (she/her) is a Minneapolis-based dancer and choreographer who makes funky, spunky, socially engaged performances.
Her choreography has been presented in spaces throughout the Twin Cities, including the Walker Art Center, the Cedar Cultural Center, the Minnesota Museum of American Art, Bryant Lake Bowl, Center for Performing Arts, and on sidewalks in South Minneapolis. She is a recipient of the 2021 Naked Stages Fellowship at Pillsbury House + Theatre. As a dancer, she has performed with Taja Will, Chris Schlichting, Laurie Van Wieren, and Jennifer Glaws. Margaret is a teaching artist at Young Dance, Zenon Dance School, and serves on the board of Language Attitude, a group developing culturally relevant, arts-based programs in the fields of education, media, and communications. She holds a BFA in Dance from the University of Minnesota – Twin Cities.
Nic Lincoln’s choreographic career is comprised of 29 works, and he danced
professionally in the Twin Cities for over 20 years. His pieces have been commissioned by James Sewell Ballet, The O’Shaughnessy Theater, Hope College, Blue Lake Fine Arts Camp, DITA in Michigan, and the Human Rights Campaign. Most recently, he received the Cowles Center’s Generating Room: Open Proposal Initiative (2020), Minnesota State Arts Board Artist Initiative Grant (2015), a prestigious commission from Momentum for the Southern Theater, and was Named One of “25 to Watch” by Dance Magazine (2013), and a McKnight Artist Fellowship for
Dance (2011). As a dance artist and activist he has teamed with OutFront MN, The Red Door Clinic, Transforming Families, The MN AIDS Project and The Human Rights Campaign. He has taught for James Sewell Ballet, was a guest professor at Hope College in MI, principle teacher at Blue Lake Fine Arts Camp, Verbs Ballet School in Chicago, and the apprentice program for Lines Ballet in San Francisco.
Penelope Freeh is a contemporary ballet dancer, choreographer, and educator who dismantles antiquated modes of how ballet is taught, languaged, applied in research terms, and expressed phusically, intellectually, performatively, and at the gut level. Through her practice of expanding the terms and exploding the tropes of ballet, she aims to meanifully connect with a diversity of collaborators, colleagues, students, and audiences. Freeh is a two-time McKnight Fellow for Choreographers, McKnight Fellow for Dances, and aSage awardee for Outstanding Performer. She danced for James Sewell Ballet for seventeen years, serving as Artistic Directer from 2007-2011. In addition to Zenon, she is faculty at the University of Minnesota, St. Paul Ballet, the St. Paul Conservatory for Performing Artists, and TU Dance. Freeh holds a Dance MFA from Hollins University.
Roxane Wallace has been active in the arts as a performer, instructor, choreographer and teaching artist since graduating with a BA in Philosophy a minor in Ethnic Studies from UC Berkeley (93). She was seen nationally and internationally as a principal artist with Stuart Pimsler Dance and Theater Company for 15 years and has performed in works by Meredith Monk (Quarry, Mercy), Vincent Mantsoe (Kutu), Marciano Silva Dos Santos (Motiro) and Shawn McConneloug (She Captains) as well as in numerous works by Leah Nelson, Morris Johnson, Laurie Carlos and others. She was awarded a Minnesota Sage Award for Outstanding Performer, voted “Best Dancer” in the City Pages “Best of the Twin Cities”, and holds the honor of being named a McKnight Artist Fellow in Dance. Mrs. Wallace has been working with Paula Mann as a member of TimeTrack Productions for over ten years and also currently provides inspiration and dance instruction through Zenon Dance Studio and School and as a teaching artist for the VocalEssence WITNESS Program and the Cowles Center for Dance and the Performing Arts. As an independent creative, she choreographs original, socially conscious works for school groups, independent organizations and herself.
Ruby Josephine Smith
Ruby Josephine Smith is a contemporary dance artist and choreographer who grew up in Minneapolis, Minnesota. Drawn towards movement and performance from an early age, she pursued her love of theater throughout her childhood and began exploring contemporary dance at age 10. Eventually, her curiosity and passion launcher her into a life of travel, continuing her self-driven training at studios, workshops and intensives across Europe. She finally landed in Tangier, Morocco, where she has been based for the past 7 years until very recently reolcating back to the Twin Cities. In Morocco, Ruby was teaching regular classes to local and internation students in English, French and Arabic, creating and performing works and engaging with fellow movement artists in the community to push forward contemporary dance as an emerging art form in the city. Her choreography and performance has been comissioned and sponsored by the US Embassy of Morocco, l’Institut Français de Tanger, the American Language Center Network in Morocco, and the American Legation of Tangier. Ruby spent her time in Spain and France collaborating with other international dancers, and offering residencies and dance program consulation to the American International School network. Ruby believes strongly in the power of dance and movement to tell storeis, explore personal processes, and form strong human connections across boudaries and borders.
Sarah Bartlett began her dane career in her homestown of Orono, Minesota. Growing up beside her dad who raan the Southern Theater in Minneapolis for almost 30 years, she has been surounded by dance since before she could walk. Sarah followed in the creative footsteps of her beloved Grandmother and artists in her family. Sarah studied with Ballet of the Dools, Minnesota Dance Theatre, and Zorongo Flamenco Dance Theater and School. As a professional, Sarah returned to Ballet of the Dolls as an apprentice. She later performed her first flamnenco show Zorro in 2012. She has also perfomed in Garden of Names and What the Moon Sees under the creative direction of Susana di Palma, Las Flamencas directed by Deborah Elias, Sacred by Lisa Conlin, and Not so Suite by Myron Johnson. Sarah now focuses on giving back to the dance community she learned from by teaching litlle ones ballet and yonga through classes and the YMCA and Zenon Dance School. Sarah holds and Associate of Arts in Liberal Arts from Minneapolis Community and Technical College and is activley owrking on yoga certification.
Stephanie Shapso is a Twin Cities based dance artist, teacher and choreographer. She has been teaching youth and adults at Zenon since 2001 and got her start at the Zenon Dance School. Stephanie began her dance training as a hip-hop dancer in teen night clubs and was inspired to pursue a career. She specializes in Belly Dance and Hip-Hop, while intensively continuing her training in ballet and other styles at Zenon and MDT. Stephanie has choreographed for the Vikings Cheerleaders, commercials for Best Buy, Plato’s Closet, and an international buisness meeting for General Mills.